The Del McCoury Band

The Del McCoury Band is coming to the Outdoor Stage at Salvage Station on Saturday, May 4th, 2024 with Wyatt Ellis and Tray Wellington! Camping chairs are allowed! Doors open at 5:30 PM and the music starts at 6:30PM. This is a General Admission, all-ages show! Kids under 7 are FREE! Minors must be accompanied by guardian at all times.

WNCW is a media sponsor!

This is a LARGE EVENT, so please read our FAQs to learn more about parking options and our shuttle service.

Root Down will be serving their delicious twist on Southern Soul Food and we’ll have our full bar open for you to enjoy! 

Listen to Del McCoury Band:

About The Del McCoury Band:

Even among the pantheon of music’s finest artists, Del McCoury stands alone . From the
nascent sound of bluegrass that charmed hardscrabble hillbilly honkytonks, rural schoolhouse
stages, and the crowning glory of the Grand Ole Opry to the present-day culture-buzz of viral
videos and digital streams, Del is the living link . On primetime and late-night television talk
shows, there is Del. From headlining sold-out concerts to music festivals of all genres, including
one carrying his namesake, there is Del. Where audiences number in the tens of thousands,
and admirers as diverse as country-rock icon Steve Earle and jamband royalty Phish count as
two among hundreds, there is Del.

Emerging from humble beginnings in York County, PA nearly eighty years ago, Del was
not the likeliest of candidates for legendary status. As a teen, he was captivated by the banjo
playing of one of its masters, Earl Scruggs, and decided he’d be a banjo picker, too. The
Baltimore/Washington, D.C. bar scene of the early 1960s was lively and rough. Del caught a
break. More than a break, really. It was an opportunity of a lifetime; joining Bill Monroe’s Blue
Grass Boys in early 1963. Considered the Father of Bluegrass, Monroe transformed McCoury,
moving him from the banjo to guitar, anointing him lead singer, and providing him with a
priceless trove of bluegrass tutelage direct from the source.

Countless hours of recording sessions and miles of tireless touring dotted the decades.
Del carried on, and carried with him the hallowed traditions of the form and its dedicated
following. The passing years became certificates of authenticity . So, in the sea of grunge and
R&B that dominated the music scene of the mid-1990s, it was special, perhaps even startling, to
see: There was Del.

Now helming the Del McCoury Band, with sons Ronnie and Rob, the ensemble did and
continues to represent in a larger, growing musical community a peerless torchbearer for the
entire sweep and scope of bluegrass history . Those many years, not to mention a good-natured
willingness to stay alert to the latest sounds and opportunities around him, earned McCoury a
whole new generation of fans, including some in unlikely places.

“I’m just doing what’s natural,” says Del. “When young musicians ask me what they
should do I always tell them, ‘You do whatever’s inside of you. Do what you do best.’”
No surprise that contemporary, bluegrass-bred stars sang his praises; marquee names
like Vince Gill and Alison Krauss (who first met Del at a bluegrass festival when she subbed for
his missing fiddler). Yet, here too was rocker Earle recording and touring with the group. Here
was Phish jamming onstage with the boys. Here was the band on TV, or headlining rock clubs
and college campuses; the can’t-miss appearances at country and jazz festivals. There was
Del.

“We don’t have a setlist,” says Del. “We try and work in the new songs, but a lot of times
it’s just requests from the audience. It’s more interesting for the band, for me, and for the
audience because nobody knows what’s coming next.”

Almost unimaginable, McCoury’s sixth decade in a half-century of bluegrass bliss brings new
triumphs, new collaborations, and new music. With but a single change in membership in twenty
seven years The Del McCoury Band shows unprecedented stability as well as garnering the
respect and admiration of the industry for its unmistakable work: nine IBMA Entertainer of the
Year trophies; in 2003, Del’s awarded membership in the cast of the legendary Grand Ole Opry;
the band’s first Best Bluegrass Album Grammy award, in ’05, followed by a second Grammy win
in 2014, (not to mention double-digit nominations).

“I know (having the same band) helped with my success. It keeps your sound constant,”
says Del. “We really enjoy what we’re doing.”

The group traveled with the groundbreaking post- O Brother “Down From The Mountain”
tour, and performed with Gill, recording on his Grammy-winning These Days , as well as country
sensation Dierks Bentley. In addition to becoming something of a regular at the wildly popular
Bonnaroo Music Festival, they’ve also curated and expanded Del’s annual namesake festival.
One of the premier string-band events in the country, the multi-day, multi-stage DelFest
showcases the new lions of the genre such as Greensky Bluegrass, The Infamous
Stringdusters, and Old Crow Medicine Show, and legends like Ricky Skaggs, Sam Bush, and
Bobby Osborne, plus a diversity of artists like Phish frontman Trey Anastasio and blues-rock
veterans Gov’t Mule to Americana darlings The Wood Brothers and Rhiannon Giddens.
“DelFest is a great accomplishment,” says Del. “I never thought it would be as successful
as it is. And, when Sony Music came calling, post-Hurricane Katrina, proposing a collaboration
with New Orleans’ revered Preservation Hall Jazz Band, there was Del. If there was ever a
collection of recordings confirming McCoury’s wide-ranging impact and spirit of musical
comradery, it would be American Legacies . A wonderfully fulfilling cross-section of traditional
bluegrass and the Dixieland pomp of New Orleans, the album typified the Del McCoury Band’s
evolution from bluegrass vanguard to an American treasure.

“All music is related. Bill Monroe went to New Orleans and listened to jazz players. Earl
Scruggs- some of the tunes he recorded were from New Orleans,” says Del. “It all fits together if
you’re willing to be open-minded.”

And like any genuine treasure, the gifts keep coming. On their latest release, Del
McCoury Still Sings Bluegrass – a title that echoes his 1968 debut on Arhoolie Records, Del
McCoury Sings Bluegrass – Del and the boys bring home another stellar collection of traditional
bluegrass music. With 14 songs brimming with hot licks, classic songcraft, even some
boundary-stretching electric guitar, and once again, Del’s matchless vocal delivery, the Del
McCoury Band moves up the gold bar standard of bluegrass yet another notch. “What I like in a
record is variety of moods, of tempos,” Del says. “I consider myself traditional at heart, but I

don’t have any boundaries. I’m just a guy that likes to sing and play music. Whatever strikes me
to do I’ll do it. Without wrecking things.”
One listen and it’s clear as crystal. There is Del.

About Wyatt Ellis:

Born in the rich music bed of East Tennessee, Ellis has quickly become one of the most-watched young musicians in bluegrass music. In a recent review, Billboard magazine stated, “Ellis has quickly cemented himself as a sterling newcomer in the bluegrass scene.” A true statement, as evidenced when his debut single, “Grassy Cove,” went to #1 on the Bluegrass Today charts, and his second single, “Get Lost,” debuted on the same chart at #5. He was also recently tapped to make an appearance at Eric Clapton’s Crossroads Guitar Festival, and on November 10 received a standing ovation while making his debut on the Grand Ole Opry.

A devotee of Bill Monroe, Ellis has been mentored by many iconic musicians, including Sierra Hull, Bobby Osborne, Mike Compton, and others. Ellis has studied with mandolin masters, composed his own original instrumentals, and transitioned from playing alone in his living room to performing seamlessly alongside bluegrass legends and Hall of Famers. In his two short years on the scene, Ellis has become a multi-instrumentalist and has been invited to perform on stage with some of the most iconic musicians of this era, including Billy Strings, Dierks Bentley, Peter Rowan, Sam Bush, Bryan Sutton, Dailey & Vincent, and Marty Stuart.

About Tray Wellington:

Banjo player Tray Wellington’s approach to the quintessential American instrument is all about looking forward. An International Bluegrass Music Association Award winner, Wellington is critically acclaimed not only for his technical prowess, but also for leveraging his unique point of view to craft a one-of-a-kind voice on the instrument. It’s a feat that’s all too rare in these roots genres that seem to value emulation and regurgitation over all else. Instead, Wellington has time and time again reasserted that his playing style, and all of the many varied and disparate parts that combine within it, is wholly his own – and it’s unconcerned with tradition.